GEORGE EGERTON-WARBURTON
IS EATING A NO-DOZ AND A VALERIAN AT THE SAME TIME KIND OF LIKE A MONOCHROOME?
19 FEB – 8 MAR 2014

 

 GEORGE- EGERTON-WARBURTON  The camera’s worth various bottles of red wine  2013

GEORGE- EGERTON-WARBURTON
The camera’s worth various bottles of red wine 2013

 GEORGE- EGERTON-WARBURTON  Why are you wearing athletic gear if you’re not  POA     playing any sport today?  2012 single channel HD video 26 minutes 6 seconds and text on A4 paper

GEORGE- EGERTON-WARBURTON
Why are you wearing athletic gear if you’re not POA  playing any sport today? 2012
single channel HD video 26 minutes 6 seconds and text on A4 paper

install 1 2000px.jpg

Is eating a No-Doz and a Valerian at the same time kind of like a monochrome?

Double Vision
Occupy Radical Chic
Confessions & Concessions
Like how carbon offsetting works
Run Artist Run
The best of 12/13/14
Pinot Noir, Nebbiolo, Shiraz, Cabernet blend
Italy, Ashton Hills
Recycled concepts, stolen materials

Among other things, George Egerton-Warburton’s work is about the application of irrational methodologies to better understand the awkward moral balance in nature. Egerton-Warburton often cites subjective and shared experiences where actions are incongruous with thoughts and impulses, due to the external force of cultural inheritance.

Egerton-Warburton is currently concentrating on making one video per year, shot in a single take.

Recent solo exhibitions include Steaming ties, curated by Caterina Riva, Artspace, Auckland, and Living With Living, Sutton Project Space, Melbourne. Group exhibitions include Melbourne Now, National Gallery of Victoria, Public Thinking, curated by Susan Gibb, 55 Sydenham Rd, Sydney, and The Stalactite Love Review, as part of Perth International Arts Festival, University of Western Australia.