ANDRZEJ ZIELINSKI
PRIMARY DATA
20 OCTOBER – 12 NOVEMBER 2016

Andrzeji Zielinski, artist, exhibition, Gallery 9

ANDRZEJ ZIELINSKI
Screen Saver 2015
lithograph on Rives BFK
83 × 71 cm (framed)

ANDRZEJ ZEILINSKI
Cluster Analysing? 2016
core samples from mining exploration in New South Wales,
orbicular jasper, river red gum wood, perspex, agate, epoxy, acrylic paint
39.5 × 37 × 23 cm

ANDRZEJ XIELINSKI
Data Recovery? 2016
Australian sandstone, agate, zebra rock,
West Australian variscite, river red gum wood,
plywood, copper, acrylic and encaustic paint
78 × 66 × 33 cm (30.75 × 26 × 13 in)

ANDRZEJ ZIELINSKI
Frequency Hopping? 2016
bronze, agate, enamel paint, primordial stone
from the East Kimberly region
23.5 × 22 × 19 cm (9.25 × 8.5 × 7.5 in)

ANAREZEJ ZELINSHI
Reverberating? 2016
cast iron, copper, opal, zebra rock,
river red gum wood, enamel and encaustic paint
41 × 34 × 32 cm

ANDRZEJ ZIELINSKI
Convalescing??? 2016
Australian arkose sandstone, West Australian Variscite,
perspex, encaustic and acrylic paint
61 × 50 × 28 cm

ANDRZEJ ZIELINKSKI
Secure Encryption? 2016
cast iron, onyx, opal, perspex,
primordial stone, enamel and acrylic paint
37 × 24 × 13 cm

ANDRZEJ ZIELINSKI
Sleeved Laptop 2015
lithograph on Arches buff
79 × 63 cm (framed)

Andrzej Zielinski, artist, exhibition, Gallery 9

Andrzej Zielinski’s sculptures are composites of a dazzling range of materials including bronze, agate, opal, perspex and wood. Through textural contrasts, sculptural ingenuity and riotous painted colour, Zielinski invests vitality into these inert substances. His sculptures are quite unlike the ubiquitous electronic devices they represent – mobile phones, printers, laptops and shredders. With sardonic titles such as Cluster Analysing and Secure Encryption, Zielinski asks questions about the central role of technology in our lives. As Eleanor Zeichner suggests in the October issue of Art Almanac: ‘his work makes the case for a pause in progress, in favour of a version of the world more idiosyncratic than innovative, more fantastical than functional.’

After training at the School of Art Institute of Chicago with a major in painting, Zielinski went on to complete a Masters of Fine Arts at Yale University. He exhibits regularly across the United States as well as in Europe, Japan and Australia. In 2015 the Nerman Museum of Contemporary Art in Kansas City staged his first survey exhibition, Open Sourced, with an accompanying monograph and essay by art critic for The Nation Barry Schwabsky. His work is held in the collections of the National Gallery of Australia; Canberra Museum and Gallery; Portland Art Museum, Oregon; Nerman Museum of Contemporary Art, Kansas and the Daum Museum of Contemporary Art, Missouri.

Zielinski is currently artist in residence at the Australian National University (ANU) School of Art, Canberra. Primary Data is his third exhibition at Gallery 9