Pie Rankine: Zigzag, 25 Jan – 18 February 2017

Everything consists of connection, and these connections are rarely made in a linear or predictable fashion. Ruptures, holes and distortions appear. Zigzag is continual movement, immanent in the dimensions of time and space. It is the movement of the possibilities of life itself. As movement of whole and part bodies, as movement of lightning, as movement of an ear, an eye, a paw, as movement of the forces of gravity and desire, as movement of animals in and out of territory.
–Pie Rankine, 2017

Pie Rankine studied painting at the Victorian College of the Arts, Melbourne, and went on to exhibit widely in Melbourne, Canberra and Sydney in the 1980’s. In 1988 she featured in the exhibition A New Generation at the National Gallery, Canberra, and in 1985 undertook the Australia Council Residency in Besozzo, Italy. In 2014 Rankine began making ceramic sculptures, and is a current Masters candidate at La Trobe University. Her work is in the collections of the British Museum (Department of Prints and Drawings), Queensland Gallery of Modern Art, National Gallery of Australia, National Gallery of Victoria and the John McBride Collection, Sydney.

Zigzag is Rankine’s first exhibition at Gallery 9.


David Palliser: Autumn’s Atom, 25 Jan – 18 Feb 2017

Beyond the unawkward
Keep the ingredients motiveless
Painting is sculpture
Find a state of suspension
I may as well have no idea
Make your own found objects
Mineral vs. Fake
Never allow predigested solutions
Ignore professionals
Art is not lawnmowing
Trust folding turnbuckle arrangements
Weirdly this is where the real picture begins
Collapse is wonderful
Drink plenty of water
Art won’t help
– David Palliser 2017

Melbourne based David Palliser has exhibited for over thirty years with solo and group exhibitions across Australia. Recent group shows include Bilder Bilder (2016) Neon Parc, Melbourne; Return (2015) Daine Singer, Melbourne, and Melbourne Now (2013) National Gallery of Victoria. In 2016 Palliser was recipient of the Victorian College of Arts residency at Phasmid Studios, Berlin. He is included in significant public and corporate collections, including the Australian National Gallery, National Gallery of Victoria, Artbank, Macquarie Bank, the John McBride and the Phillip Morris Collections.

Autumn’s Atom is Palliser’s first exhibition at Gallery 9.



Eloise Kirk: Third Order Island, 25 Jan – 18 Feb 2017

Eloise Kirk explores the merging of collage and painting, sampling images of rock formations, waves and clouds. Her imagery is partially concealed by textural and reflective pools of resin. She describes these negative spaces as voids offering descent into the unfamiliar, and connects this with the mystic act of scrying or ‘peeping into the future’. Drawing connections between discarded natural imagery, Kirk tests the boundaries between the romantic and the surreal.

Kirk holds both a Bachelor and Masters of Visual of Arts from the Sydney College of the Arts. She has staged solo exhibitions in Sydney, Melbourne, Hobart and New York, and was recently curated into the Safari and Underbelly arts festivals in Sydney. She has been a finalist in the Fishers Ghost Art Prize, the John Fries Emerging Artist Award, the Macquarie Bank Emerging Artist Award and the Grace Cossington Smith Art Prize. In 2014 Kirk was awarded the Art Gallery of NSW residency at the Cité Internationale des Arts, Paris.

Third Order Island is Kirk’s third exhibition at Gallery 9.


Michael Taylor: 22 Feb – 18 March 2017

Michael Taylor has observed the changing colours and atmospheric conditions of NSW’s Monaro district and southern coastline for over forty years. Dominated by a range of blues and purples from light to dark, this exhibition records night, sea, sky and rain. His paintings draw on his infinitely textured experience of nature – its moods and elemental sensations. Their expressive sweep of energy also charts his movement within the landscape, either on foot or by car. Time, space, water and light are exhilaratingly conflated into vivid, shifting concentrations of paint and colour.

This exhibition comes after Taylor’s first complete survey, Michael Taylor: 1963–2016, was presented at the Canberra Museum and Gallery in 2016. Taylor has exhibited regularly since 1963 after completing his diploma at the National Art School (then East Sydney Technical College). In 1971 he relocated to the Monaro region south of Canberra and today divides his time between his property in Cooma and the far south coast.

The National Gallery of Australia holds the most extensive collection of Taylor’s works, numbering 115 paintings, collages and drawings. He is also included in the collections of BHP, Joye Art Foundation, High Court of Australia, Parliament House Art Collection, Artbank, Art Gallery of NSW, National Gallery of Victoria, Queensland Art Gallery, Art Gallery of Western Australia and the Art Gallery of South Australia.

Taylor has participated in important international and Australian exhibitions including the Biennale des Jeunes, Paris (1963); Contemporary Australian Painting, Los Angeles (1966); Australian Art Today, touring South-East Asia (1969); Ten Australians, touring Europe (1974–75); Landscape and Abstraction, Nolan Gallery (1986); I had a dream, NGV (1996); and more recently, Moist, NGA (2005); and Fireworks, touring QLD, NSW and VIC regional galleries (2005).

This will be the artist’s fifth solo show at Gallery 9.

‘Taylor’s paintings are a source of revelation and inspiration’
–Sasha Grishin, Canberra Times, 18 July 2016

‘He is one of the most significant living artists in Australia, with works in most major public collections and a practice spanning six decades’
–Sally Pryor, The Age, 13 July 2016