Belem Lett is introduced as an artist collectors should know about, in the Oct–Dec 2016 issue of Art Collector Magazine. Read HERE
Paul Snell is a finalist in the annual Fisher’s Ghost Art Award with Intersect #201600 . On view at Campbelltown Arts Centre until 15 December.
Eleanor Zeichner previews Primary Data in the October issue of Art Almanac. Read HERE
Tonee Messiah is a finalist in this year’s Paddington Art Prize with Winter Campsite by the Abercrombie River, oil on linen, 122 x 91 cm. The $25,000, national acquisitive prize is awarded to a painting inspired by the Australian landscape. 20–30 October, 111–113 Queens Street, Woollahra
READ Tony Lloyd’s What Next profile from Art Collector magazine’s Spring 1883 art fair supplement.
An installation by Tony Lloyd features in an exhibition at the Australian Experimental Art Foundation, Adelaide. The show presents the work of four artists, two Chinese and two Australian, created during a shared residency in the remote Oratunga region of South Australia. For his piece The Ocean Floor, Lloyd has constructed a mountain of 400 seashells suspended from the ceiling. It’s contours – based on a peak in the Flinders Ranges – reminds us that such landscapes were once submerged, before the uplift of tectonic plates. Until 15 October
Suzie Idiens is showing in Visions of Utopia at Wollongong Art Gallery. Curated by Andrew Christofides and including abstract luminaries such as David Aspden and Ralph Balson, the exhibition looks at the history of non-objective painting in Australia. 2 September – 20 November 2016
John Aslanidis is showing in Visions of Utopia at Wollongong Art Gallery. Curated by Andrew Christofides and including abstract luminaries such as David Aspden and Ralph Balson, the exhibition looks at the history of non-objective painting in Australia. 2 September – 20 November 2016
Gallery 9 is delighted to announce representation of Paul Snell. Snell’s luminous and immersive abstractions blur the boundary between painting and photography, demonstrating the creative expansion of image making in the digital realm. Snell’s solo exhibition Liminal Space opens 26 August at the Queen Victoria Museum & Art Gallery, Launceston.
Snell holds a Bachelor of Fine Arts (Honours) and Master of Creative Arts from the University of Tasmania. He has exhibited internationally and across Australia, including two solo exhibitions at Gallery 9. In 2015 he won the $25,000 Whyalla Art Prize.