Peter Alwast is showing in Red, Green, Blue: A History of Australian Video Art, at the Griffith University Art Gallery. Alwast features in the third and final chapter of the program titled ‘Perception and Encounter’, 6 June – 8 July 2017. Chapter 1 opens 31st March.
Peter Alwast, Still from Relics, 2007, Animation Video, 3.5min Griffith University Collection
Paul Snell is a finalist in the 2017 Wyndham Art Prize with Intersect #201605.
Belem Lett has been awarded Highly Commended in the Elaine Birmingham National Watercolour Prize.
Until 25 February, QCA Galleries, Brisbane
Denise Green: Beyond and Between – A Painter’s Journey presents more than 100 paintings, drawings, and photo-collages produced by the artist between 1972 and 2015. Drawn from the extensive collection of Green’s work at the UQ Art Museum, the exhibition traces the evolution of her practice from her arrival in New York in the early seventies up to the present.
26 November 2016 – 7 April 2017, UQ Art Museum, Brisbane
Image: Villa Giulia 1977, oil on canvas, 151.0 x 151.0 cm, photographer Carl Warner
John Aslanidis (second from right) is showing at the Australian Consulate in New York. Curated by Jane O’Neill, the exhibition covers the development of Aslanidis’ Sonic Series between 2005-2011. Photo by Roman Dean
Michael Desmond on Michael Taylor: A Survey 1963 – 2016 at the Canberra Museum and Gallery. Read HERE
Rebecca Gallo profiles Julian Hooper in issue 16 of Vault Magazine. Read HERE
Peter Alwast is exhibiting in the Greater Taipei Biennial of Contemporary Arts. The 2016 edition is curated by renowned philosopher and sinologist Professor Francois Jullien.
7 November 2016 – 14 January 2017
Belem Lett has been awarded Highly Commended in 2016 Paddington Art Prize with Dorrigo, oil on aluminium composite panel, 163 x 122 cm. The national acquisitive prize is awarded to a painting inspired by the Australian landscape.
Lett’s entry references the Dorrigo rainforest: “Growing up on the mid-north coast around Bellingen and Urunga, I remember frequently going up Dorrigo mountain with my family. We would go on walks through Dorrigo rainforest which was thick with strangler fig vines. The hanging looping string like vines winding there way through the forest have really stuck with me.”
20–30 October, 111–113 Queens Street, Woollahra
Belem Lett is introduced as an artist collectors should know about, in the Oct–Dec 2016 issue of Art Collector Magazine. Read HERE